Chen Zhe’s practice is rooted in self-reflection, which expands and engages with the universal experience of life. Her subjects are often inherently paradoxical, such as the body that can simultaneously experience pain and relief (The Bearable & Bees), the nebulous zone where day turns into night (Towards Evenings: Six Chapters), and the life that vacillates between impermanence and eternity (A Slow Remembering of a Long Forgetting). Springing from and expanding on her photographic work, Chen’s recent works focus on the expressive potential of temporality in different mediums and environments. Her projects tend to develop organically over the span of several years, with works that annotate each other as they unravel, and present an ongoing process of research and discovery.
Chen Zhe (b.1989, Beijing) received her BFA in Photography and Imaging from Art Center College of Design in Los Angeles. Her works has been exhibited at Lillehammer Art Museum, Norway (2022); UCCA Dune, Qinhuangdao (2021); Yokohama Triennale, Japan (2020); Plug In ICA, Canada (2020); Ming Contemporary Art Museum, Shanghai (2020); Staatliche Kunsthalle Baden-Baden, Germany (2019); White Rabbit Gallery, Australia (2019); the 9th Asia Pacific Triennial of Contemporary Art, Australia (2018); Tokyo Photographic Art Museum, Japan (2018); Para Site, Hong Kong (2018); OCAT Shenzhen, Shenzhen (2018); Guangzhou Photo Triennial, Guangzhou (2017); Anren Biennale, Chengdu (2017); CAFA Art Museum, Beijing (2017); the 11th Shanghai Biennial, Shanghai (2016); Minsheng Art Museum, Shanghai (2016); University of Toronto Art Centre, Canada (2014); Ullens Center for Contemporary Art, Beijing (2013); Fotohof, Austria (2012); Three Shadows Photography Art Centre (2011) and more.
Chen Zhe is the recipient of the Inge Morath Award from the Magnum Foundation (2011), Three Shadows Award (2011), Lianzhou Festival Photographer of the Year Award (2012), Xitek New Talent Award (2015) and the Foam Talent (2018). She is also subject of TV documentary films Chinese Viewfinder (ARTE, France, 2013) and China Through the Lens of Youth (NHK, Japan, 2014). Her publication Bees & The Bearable was awarded the Best Photobook of the Year by Kassel Fotobookfestival in 2016.
Chen Zhe (b.1989, Beijing) received her BFA in Photography and Imaging from Art Center College of Design in Los Angeles. Her works has been exhibited at Lillehammer Art Museum, Norway (2022); UCCA Dune, Qinhuangdao (2021); Yokohama Triennale, Japan (2020); Plug In ICA, Canada (2020); Ming Contemporary Art Museum, Shanghai (2020); Staatliche Kunsthalle Baden-Baden, Germany (2019); White Rabbit Gallery, Australia (2019); the 9th Asia Pacific Triennial of Contemporary Art, Australia (2018); Tokyo Photographic Art Museum, Japan (2018); Para Site, Hong Kong (2018); OCAT Shenzhen, Shenzhen (2018); Guangzhou Photo Triennial, Guangzhou (2017); Anren Biennale, Chengdu (2017); CAFA Art Museum, Beijing (2017); the 11th Shanghai Biennial, Shanghai (2016); Minsheng Art Museum, Shanghai (2016); University of Toronto Art Centre, Canada (2014); Ullens Center for Contemporary Art, Beijing (2013); Fotohof, Austria (2012); Three Shadows Photography Art Centre (2011) and more.
Chen Zhe is the recipient of the Inge Morath Award from the Magnum Foundation (2011), Three Shadows Award (2011), Lianzhou Festival Photographer of the Year Award (2012), Xitek New Talent Award (2015) and the Foam Talent (2018). She is also subject of TV documentary films Chinese Viewfinder (ARTE, France, 2013) and China Through the Lens of Youth (NHK, Japan, 2014). Her publication Bees & The Bearable was awarded the Best Photobook of the Year by Kassel Fotobookfestival in 2016.